Twenty Thousand Leagues Under the Sea by Jules Verne

Source: Lit2Go (iTunes link)
Length: 14 hours, 23 minutes
Reader: Rick Kistner

The book: In 1864, the Confederate States Navy Huntley became the first submarine to sink a military vessel. Within a few years, most of the major navies of the world, including the French and British Navies, were experimenting with submarines. In this atmosphere of militarization of the ocean's depths, Jules Verne wrote Twenty Thousand Leagues Under the Sea, a novel about an advanced submarine that had great potential as a weapon, but was mainly used for exploration and science. The ship, and its enigmatic owner Captain Nemo, have become so well known in popular culture that it is worthwhile going back to the source to understand what their creator was trying to convey through their story.

As someone who first encountered the Nautilus through reruns of the 1954 Disney movie and the Disney World ride, I found the whole book to be a bit dry. Yes, there are some exciting parts like the voyage to Atlantis, the encounter with island natives, and the "devilfish" attack, but much of the book reads like a travelogue, with lists of destinations and types of fish seen there. Presumably this was more exciting in Verne's mind, exasperated as he was by politics and failed revolutions. Verne's novel encapsulates the fantasy of being able to escape the surface world and embrace the mysterious life of the ocean.

Rating: 7 / 10

The reader: I've commented many times on Kistner's reading. It's good without being outstanding. He does seem to rush his speech at times, but that is something the ear can adjust to within about 15 minutes. The recording is clear and well-produced. I recommend using the iTunes link for downloading even if you're not using an Apple device.

Buy a paperback copy of Twenty Thousand Leagues Under the Sea

The Importance of Being Earnest by Oscar Wilde

Source: LibriVox (Act 1 | 2 | 3)
Length: 2 Hours, 11 min
Readers: multiple

The play: “I hope you have not been leading a double life, pretending to be wicked and being good all the time. That would be hypocrisy.” John Worthington, a.k.a. Ernest, has been leading a double life. In London, his friend Algernon knows him as Ernest. In the countryside, his ward Cecily knows him as Jack or John and believes that "Ernest" is Jack's black sheep brother in the city. This being a comedy, the double life comes back to bite John, and everyone tries on new identities for parts of the play, leading to more confusion. It's an old device that recalls Shakespeare's comedies, but Wilde (who knew a thing or two about putting up a false front) twists it beautifully until the false identities become more real than the actual identities. 

The funniness of the piece holds up, even after almost 100 years. Although it is meant to poke fun at British upper-class society, much of the humor is in Wilde's wonderful use of language. One-liners like "To be natural is such a very difficult pose to keep up," are funny even out of context, but the mounting absurdity of the play's plot make them even better. The great lines are almost too much to keep up with at some points and I found myself relistening just to catch the full wit of the words.

Rating: 9/10

The readers: Librivox does an interesting trick of having the actors record their lines separately, then has an editor paste all the lines together to make a finished recording. It shouldn't work, but somehow in this example, it does. There are places where the sound quality noticeably changes between readers, but  I didn't mind so much. The actors themselves do a remarkably good job, despite the impediment to comedic timing. I'm impressed that they were able to overcome the limitations of this style of compiling a play.

Buy a paperback copy of  The Importance of Being Earnest

"Childe Roland to the Dark Tower Came" by Robert Browning

Source: LibriVox (mp3)
Length: 13 minutes
Reader: Algy Pug

The poem: In The White Company, Conan Doyle mentions the great knight Roland as the company travels from France into Spain through the Roncevaux Pass in the Pyrenees Mountains. Roland, a knight of King Charlemange, died while holding the rearguard in a battle in the pass, made famous by the French epic poem The Song of Roland.

This poem, composed hundreds of years later, follows a legendary earlier quest by Roland to the Dark Tower. Browning describes a desolate landscape full of imagery of death, reminding him of other knights who have failed this quest. Roland himself holds little hope of himself succeeding at finding the Dark Tower, but continues on anyway. Browning, perhaps, is commenting on the futility of life as well as our duty to keep living as best we can. The depressing nightmarish land described in the poem have been a inspiration to other writers, notably Steven King's The Dark Tower series and Gordon R. Dickenson's Childe Cycle.

Rating: 8 /10

The reader: Pug does an adequate job here reading a very difficult poem. He has a strong Australian accent, but it did not inhibit my understanding of the words. I did have trouble following the poem due to its complexity and had to follow along by reading the text. Each stanza heading (1, 2, 3, 4) is read out loud, which, although faithful to the text, is somewhat distracting. Though Pug's reading does little to aid the interpretation of the poem, his neutral tone is probably best for those wishing to find their own sense of meaning.

The White Company by Arthur Conan Doyle

Source: LibriVox (zipped mp3s)
Length: 14 hr, 43 min
Reader: Clive Catterall

The book: Although known now as the creator of Sherlock Holmes, Arthur Conan Doyle considered The White Company and his other historical fiction as his best work. The title refers to an English mercenary band of archers during the Hundred Years' War. The book follows the adventures of two men from very different parts of the feudal hierarchy: Alleyne, a second son of a minor nobleman who after being raised in a abbey, goes off to find his fortune and John, a massively strong peasant who has been kicked out of the same abbey for flirting and drinking. They both fall in with Aylward, an enthusiastic recruiter for the White Company.

The story takes a long time in getting started, with plenty of descriptions of everyday life in the 1300s before the action gets going. Perhaps Conan Doyle was trying to set up a connection with the characters before thrusting them into danger, but they never seemed more than two-dimentional to me. The action set pieces are quite exciting and worth the wait. Although this was a fun book, I'd have to disagree with Conan Doyle and go with the Sherlock Holmes books as his greatest legacy.

Rating: 7 / 10

The reader: Catterall's narration is outstanding. He's a gifted narrator, using his tone of voice and pacing to play up all the action and humor that's in the text. His character voices are particularly well thought out. Sam Aylward's rolling baritone perfectly brings out the bravado of the old soldier. This is a top-notch recording. I'll be looking forward to hearing more of Catterall's work soon.

Moby Dick by Herman Melville

Source: LibriVox (zipped mp3s)
Length: 24 hr, 38 min
Reader: Stewart Wills

The book: Moby Dick. For years this was a book that I didn't feel ready to tackle. Of course, I knew the hype of it being the Greatest American Book Ever Written, but I'm often disappointed by hype and wary of nineteenth century literary prose. I'd heard about the long passages that dealt entirely with whaling practices or the whiteness of the whale. I'd also run into innumerable references to it in other works, which is usually a cosmic sign from the Literary Gods that I should read a particular book. Like the White Whale itself, this book held both fear and fascination for me.

So, when I started actually reading it, I was surprised how much I liked it. The legendary Ishmael I had heard so many jokes about is a funny, sarcastic guy himself. The view of the world is surprisingly enlightened for its time, simultaneously taking part in and subverting the view of non-Europeans as savages.The parts on whale anatomy are there, sure enough, but as a biologist, I found that I actually enjoyed them. My fears relieved I was able to get into the book.

What a book! Peeking at an annotated copy in the library, I begin to realize how many symbolic and historical references I was missing. Even so, I caught many of the Biblical and literary allusions Melville was throwing out. Catching these morsels made the reading like an obscure game - great fun for people who can play, but baffling if you don't know the rules. I don't think this is a book that I would have liked as a high schooler, and I'm glad my English teacher never assigned it. This is a book that rewards a mature mind with the background of years of reading.

Rating: 9/10

The reader: Like with many long audiobooks, this is one I read part as an ebook and listened to part as an audiobook. As I went along, I found myself more and more listening to Steward Wills excellent narration and going back to the printed text only to reread parts I didn't fully understand. Wills is a great narrator for such a complex book. He has a patience to his pace without being so slow as to make the story boring. His characterizations of the different sailors are magnificent, especially important in the chapters written as stage directions. I'm sure there are some pretty high-priced versions of Moby Dick read by famous people, but you couldn't do much better than this free production.

Entered in Cym Lowell's Book Review Part Wednesday. Follow the link for more book review blogs,

"Markheim" by Robert Louis Stevenson

Source: LibriVox (mp3)
Length: 44 minutes
Reader: William Coon

The story: In desperate need of money on Christmas Day, Markheim approaches a local pawnbroker.  Markheim's evil intentions go beyond just selling stolen goods. His deeds, however secretive, do not go unnoticed. A touch of the supernatural enters into the story, bringing the tale beyond the usual trappings of a dark crime story and into a discussion of the nature of evil and the powers of free will.

This story strongly reminded me of Crime and Punishment (previously reviewed) with both its general outline and its themes. The major difference is  the addition of the supernatural into the story. This addition allows Stevenson to open up the story into the future and past, but also into the soul of Markheim and investigate the essence of his being. With only a fraction of the length of Dostoevsky's novel, Stevenson is able to visit many of the same themes.

Rating: 8 / 10

The Reader: Coon is a superb reader. He builds the tension of this story so that the listener feels the growing psychological horror of the crime. Even though this recording dates to the early days of LibriVox, Coon's recording is clear and well-made.

photo by wallg via flickr. Creative Commons by attribution, non-commercial, no derivatives

The Wondersmith by Fitz-James O'Brien

Source: Maria Lectrix (Part 1 | 2 | 3 | 4 | 5 | 6 | 7 )
Length: 1 hr, 32 min
Reader: Maureen O'Brien

The story: On a back street of 19th century New York stands an odd shop labeled simply "Wondersmith." No one is quite sure what is sold there, though beautiful toy figures are arranged in the shop window. Deep within the Wondersmith store, a secret meeting is held shortly before Christmas to devise a plan to use children's gifts to advance a nefarious plot.

"The Wondersmith" is the type of racist and formulaic tale that sold lurid dime novels in the mid 1800s. The villains are evil gypsies intent on murdering Christian children. The heroine is perfect and noble as she is beautiful. Yet, despite these tropes, the story is exciting and chilling. It's easy to see why such stories sold so well to a public in search of Christmas entertainment.

Rating: 7 / 10

The reader: As the host of the Maria Lectrix podcast, Maureen O'Brien has years of experience in telling stories. Her podcast is focused on Catholic religion, but she also reads stories and books only tangentially related to religion. The archive features large number of stories, novels and religious nonfiction. All this experience shows in her reading of this story. She has a warm, expressive voice that she modulates for the different characters. She slightly alters the text of the story to replace a misused word, but otherwise the story is complete and unabridged.

photo by geekygirlnyc via flickr. Creative Commons attribution, non-commercial, no derivatives. 

"The Happy Prince" by Oscar Wilde

Source: Spoken Alexandria (mp3)
Length: 25 min
Reader: Alex Wilson

The story: Children's stories are a convenient framework to present a fable about life in the world of adults. This is what Oscar Wilde does in this famous short story. Like Hard Times, "The Happy Prince" presents the despair of poverty and greed of the rich.

The Prince of the title is a statue of a man who was wealthy in life, but now sees the sadness of the poor from the vantage point of his pedestal. His companion is a sparrow who has delayed in flying south with the rest of his flock and decides to help the prince to alleviate the suffering of the people of the city. The story has the melancholy feel of Shel Silverstein's "The Giving Tree".

Would this be a good story for modern children? Perhaps. Depressing stories seem to have fallen out of favor recently as parents try to shelter their children against a depressing world, but the lessons of empathy for others is one that everyone, both children and adults, need to learn.

Rating: 8 / 10

The reader: Wilson is an outstanding performer of short stories. He voices the creatures and people of this story with such great characterizations that they almost become real. The voice of the birds is an especially expressive one. The recording is superbly engineered and provided in several formats other than the mp3 directly linked above.

Hard Times by Charles Dickens

Source: Librivox (zipped mp3s)
Length: 12 hr
Readers: narrated by Bob Neufeild, voiced by many

The book: The lower classes do all the work and have little to show for it, while the rich get richer. Charles Dickens saw the same problems 150 years ago that people are protesting today. Like Upton Sinclair in The Jungle (previously reviewed), Dickens blends fiction and social activism in his attack on industrialization and the plight of the working class.

Unlike Sinclair's muckraking style, Dickens lacks authenticity in his novel. At the time of writing this book, Dickens was already a well-known writer, so it's unlikely that his sources were anything better than second-hand accounts of life in the factories. Instead of realism, Dickens makes his industrialists into blatant cartoons, bluntly criticizing what he did not know. Still, the novel is readable for Dickens' sense of humor and his trademark pathos. I just wish he had taken his approach more seriously and shown the real pathos in the working man's life.

Rating: 6 / 10

The readers: This book is presented as a dramatic reading, somewhere between a play and a narration. None of Dickens' words have been changed (the "he said"s are even still there), but different readers play each part. This can be a great help in keeping track of who is who, but it gets a bit disconcerting to hear all the different voices, especially since they have different accents and recording equipment. The parts are done very well, for the most part, and edited together nicely. Bob Neufield, as the narrator, does most of the speaking. The main parts are all well-acted, but I won't spend time naming names. This is an interesting way to present an audiobook and, for the most part, it works.

(Entered in Cym Lowell's Book Review Wednesday. Follow the link to read reviews of other books)

Journey to the Centre of the Earth by Jules Verne

Source: The Drama Pod
Length: about 10 hours
Reader: Winfred Henson

The book: With modern science at our backs, it's hard to take Journey to the Center of the Earth seriously. We know that there's no secret chambers beneath the Earth's surface hiding dinosaurs and other prehistoric animals. From the standpoint of modern geology and biology, calling this book science fiction rather than fantasy is only a matter of its place in the history of the genre.

Yet, in the book, Verne himself, through another character, ridicules his own concept of geology. This technique is also used in Conan Doyle's The Lost World (previously reviewed). In both cases, it gives the author the chance to have an exciting, yet improbable, adventure while also wink at his audience to let them know he's not totally taken in by his own fantasies.

Rating: 7 / 10

The reader: Henson has a deep clear voice. His speech pattern is precise, with distinctly enunciated words. He has a bit of a Southern accent in his narrating voice, but creates accents for the characters. The over-the-top voice he creates for the uncle may strike people as either silly fun or a bit annoying. The recording itself is well-produced with good quality sound.

Persuasion by Jane Austen

Source: LibriVox
Length: 7 hours, 15 minutes
Reader: Karen Savage

The book: Persuasion was recommended to me as "the man's introduction to Jane Austen."  The book has several qualities that make it good for men interested in Austen: it's short, reducing the time you've wasted if you don't like it, it's one of Austen's later works, showing a more polished style for those unused to her writing, and many of the male characters are naval officers, making it sort of a shoreside version of a Patrick O'Brien novel. Being male and having already listen to (and mildly enjoyed) Pride and Prejudice, I looked forward to reading this one.

As with Pride and Prejudice, I liked the novel, but failed to see why Austen is so hugely admired by her fans. The plot concerns Anne Elliot, a spinster at age 27, who is re-introduced to her old beau, Captain Frederick Wentworth. Anne and Captain Wentworth had been engaged when Anne was younger and Wentworth was much poorer, but the engagement had been broken off at the advice of Anne's guardian. The reconnaissance and rebuilding of their relationship is an interesting story, full of Austen's wry observations on human nature, but I couldn't really get excited about a novel with so obvious a direction. I appreciate Austen's writing, but I still haven't learned to love her.

Rating: 7 /10

The reader: Karen Savage does a marvelous job at bringing Austen's characters to life. She has a bright tone of voice that manages to convey plenty of emotion with great subtlety, as is fitting for this book. The characters are clearly drawn without the performance of drastically different voices. I can't imagine why anyone would want a professionally made recording when this one is just perfect.

The Great God Pan by Arthur Machen

Source: LibriVox (zipped mp3s)
Length: 2 hours
Reader: Ethan Rampton

The book: For Halloween, here's a creepy story that influenced generations of horror writers. In the novella, a mysterious woman named Helen moves through London society, attracting those around her and leaving disaster in her wake. Who is she and what secret horrors does her beauty conceal?

Machen cleverly leaves it to the imagination most of the descriptions of what Helen actually does. This not only has the advantage of getting around Victorian censors, but also allows the reader to invent more heinous sins than any graphically presented misdeeds. Just like the threat of pain can be more frightening than pain itself, the phrase "as I expect you can guess" is a invitation to darkness.

Rating: 7 / 10

The reader: Rampton has a deep, brooding American accent that increases the atmosphere provided by Machen's words. He gives each character his own voice, allowing the fragments in the last chapter to be easily matched to their authors. The recording itself is well-made.

Happy Halloween!

(photo by Brookie via Wikimedia Commons. Creative Commons by Attribution Share-Alike)

"The Raven" by Edgar Allan Poe

Source: Tell Tale Weekly (mp3)
Length: 8 minutes
Reader: Alex Wilson

The poem: "Nevermore." This poem is probably already familiar to you, but it's worth a listen as we approach Halloween weekend. Read aloud, it has a rhythm that builds its suspense that doesn't show up in print.

This isn't a horror of violence, but the horror of depression. I think it's an experience that is more relevant. Personally, I've often felt the loss of a loved one, but very rarely have I felt physically threatened. This horror is real and ever-present, which gives Poe's poem its lasting impact beyond the memorable refrain.

Rating: 8 / 10

The reader: I've reviewed Wilson's readings before (see my review of "The Tell Tale Heart"). It's obvious he loves reading Poe's work. This poem, with its strong rhythm and rhyme, can easily become singsong. Wilson avoids this trap and embodies the pathos of the narrator This is a very good recording of a classic poem.

Frankenstein by Mary Wollstonecraft Shelly

Source: Lit2Go (iTunesU download)
Length: 6.4 hours
Reader: Fadi Tavoukdjian

The book: Frankenstein  is one of those books that's more fun to talk about than it is to read. I rarely felt much excitement or suspense except for chapter in which Victor Frankenstein creates his monster and a few other isolated incidents. The first few chapters after the framing story were particularly dull.

In retrospect, however, it's a great book. The symbolism and thought experiments are classic. This is not just a fable about science overreaching itself; it's a examination of humankind's place in the cosmos. How do we live our lives rightly and well when we're left alone on Earth by our Creator? The religions of the world have attempted to answer this question but even with the wisdom of the Bible, I'm often as confused as the monster as to what to do in some particular situations. Shelly makes the monster more human than his creator, giving us  a stand-in for our sometimes bewildering exploration of our lives.

Rating: 7 / 10

The reader: Fadi (I'm not going to try to spell his last name more than once in this post) is one of the better readers I've heard from Lit2Go. He's got a smooth American accent, but affects his voice for the various narrators. He often speaks too quickly, and this speed sometimes causes him to make minor trips over consonants. There are occasional noises of page turns and bumps, but these may be overlooked.

The Aspern Papers by Henry James

Source: LibriVox (zipped mp3s)
Length: 3 hr, 51 min
Reader: Nicholas Clifford


The book: "Why do you have to go around raking in the past?" asks the elderly Mrs. Bordereau to the unnamed narrator. He's trying to obtain letters the (fictional) American poet Jeffery Aspern wrote to Bordereau during their love affair many years ago. Mrs. Bordereau, accompanied by her niece Miss Tita, jealously guards her privacy against the prying eyes of the literary world, from which the narrator is an undercover agent of sorts.


Henry James considered this his best novella, even better than his well-known The Turn of the Screw (audiobook previously reviewed here). James was a great believer in individual privacy, even for those with fame. Knowing the personal details of a great man's life is both fascinating and inspirational. Yet even the most respectful biographers lay bare secret emotions and words of their subjects. Watching James struggle with this conflict through his characters in this book makes for a intriguing read.


Rating: 7 / 10


The reader: This audiobook places a good reader in a bad recording. Nicholas Clifford has a soft, expressive voice that fits the character of the literary historian who narrates the book. The recording, however, makes it difficult to hear his performance. There is a continual hiss in the background and it seemed to me that the sound volume slowly rose and fell throughout the book, forcing me to turn up or turn down the volume controls constantly. If you're hearing this book in a noisy car or on bad headphones, the recording may be an issue for you, but if you're hearing the book in an otherwise good listening environment, the annoyances will probably be minor.


(Entered in Cym Lowell's Book Review Party Wednesdays)

The Jungle Book by Rudyard Kipling

Source: LibriVox (zipped mp3s or M4B)
Length: 5 hr, 2 min
Reader: Meredith Hughes

The book: In the winter of 1892, Rudyard Kipling was living in a small cottage in Vermont, the homeland of his new bride.  In the midst of caring for his first child, born that winter, he must have been thinking about childrens' stories and his own childhood in British India. He published a collection of stories, mostly set in India, in 1894 as The Jungle Book.

The first few stories deal with Mowgli, a boy raised by wolves in the Indian jungle. As he grows, Mowgli is taught the ways of the jungle by the wolf Akela, the panther Bagheera and the bear Baloo while fighting for survival against the tiger Shere Khan and the monkeys of the Bandor Log. Other memorable stories in the book include the brave mongoose Riki-Tiki-Tavi's fight against the cobra and the coming of age story set among the elephant-drivers in "Toomai of the Elephants".

I was less enthralled by the two stories not set in the jungle, "The White Seal" and "His Majesty's Servants".  Apart from these two, the stories are entertaining and gently didactic, though more violent and harsh than most childrens' stories are nowadays. Kipling, I think, would argue that children can safely be exposed to some level of harshness, since it is their introduction to the Laws of the Jungle and the how the world works.

Rating: 8 /10

The reader: Hughes has a youthful-sounding American accent that is bright and cheery without being overwhelmingly saccharine. She doesn't perform extreme voices for the animal characters, but does inflect her voice to indicate dialogue.  Her reading reminds me of a bedside reading of a favorite book for a child: friendly, warm, and fun.


(Entered in Cym Lowell's Book Review Party Wednesday. Click the link to see more book reviews.)

The Time Machine by H.G. Wells

Source: Tantor Audio
Length: 4 hours
Reader: Scott Brick

The book: In one of the great classics of science fiction, an English gentleman-scientist introduces into science fiction canon a scientific means for traveling through time: by moving freely through the fourth dimension. After telling his friends and performing a test-run with a model, the time traveler proceeds to journey into the future. He expects technological marvels and enlightened humans, but finds something much different.

H.G. Wells shows himself to have an astute understanding not only of physics, but also of both sociology and biology. In a time when Progress and Eugenics were the watchwords, Wells was able to see the opposite side of these ideas. He knew that technological advance meant better lives for some, but not always for those at the lower end of the class structure. He understood that evolution has great power to change humanity, but that it is not progress to a more perfect being, but a process that reacts to the pressures of the environment. Forgive the pun, but Wells was ahead of his time.

Rating: 9 /10

The reader: Scott Brick is a professional reader and one of the best in the business. He reads this story with a cultured English accent, appropriate for the frame story narrator's position. The voice of the Time Traveler is performed with a weary dreaminess, similar to Gene Wilder's performance in the 1971 film Willie Wonka & The Chocolate Factory.

This book is being provided for free for a limited time by Tantor Media. Click the link to Tantor above, and sign up for a free account. You'll need a valid email address, but you will not need a credit card and you will not have to cancel any membership. The offer lasts until May 31, 2010.

Entered in Cym Lowell's Book Review Wednesday. Follow the link for book reviews from other bloggers.

"Rappaccini's Daughter" by Nathaniel Hawthorne

Source: LibriVox (zipped mp3s)
Length: 1 hr, 13 minutes
Readers: Brett and Theresa Downey

The story: In the Italian city of Padua, medical student Giovanni takes up residence overlooking a garden. The garden is owned by the scientist Dr. Rappaccini who has bred the plants to produce the most deadly poisons known to man. Tending this deadly garden is the doctor's beautiful daughter, Beatrice, with whom Giovanni inevitably falls in love.

The garden in this story has clear allusions to the Garden of Eden. Beatrice, then, is both Eve and tempting fruit. But the Creator of this garden is not a righteous deity, but a cunning scientist. So, in addition to being a romance about forbidden love, this is also a fable about man's desire to embrace dangerous scientific knowledge, and the consequences of that act.

Rating: 8 / 10

The readers: Although two separate readers team up for this story, the recording is an unabridged reading, not a radio-style adaptation. Brett reads the narration and most of the voices, while Theresa reads the part of Beatrice. Brett is an expressive amateur reader, but his narration is handicapped by several glaring mispronunciations. His voices for the characters are appropriate and allow for easy identification of the speakers. Unlike many male readers, he knows his limitations and allows Theresa to perform the part of Beatrice, at which she does a fine job.

(Painting Lady Lilith (1868) by Dante Gabriel Rossetti. No copyright restrictions.)

"The Tell-Tale Heart" by Edgar Allan Poe

Source: Telltale Weekly (mp3)
Length: 18 minutes
Reader: Alex Wilson

The story: Along with "The Most Dangerous Game", which I reviewed last week, this story had a great impact on me as a young reader in school. The story, for those few not familiar with it, is a first-person account of a man who, despite his protestations of being sane, murders an old man. Within a week after first reading it, I had borrowed an anthology of Edgar Allan Poe stories and started reading my way through them.

One of the things that grabbed my attention about this story was the scraps of detail he throws out in a otherwise vague story. The sharp picture of how carefully he sneaked into the old man's room is sharply contrasted with the sketchy outlines of who the narrator is and what relationship he has to the old man. I think what is most scary to me is that the narrator has no apparent motive. I can usually sleep soundly at night because I know there is no one who rationally would want to kill me, but the thought that I might be awoken in the silence of midnight by someone with no reason is chilling.

Rating: 9 /10

The reader: Coming from a site called Telltale Weekly, the reading of "A Tell Tale Heart" must be top-notch. Performing an unreliable narrator, particularly one who is insane, is a difficult task, since it's so easy (and fun for the actor) to go overboard with the lunacy. Alex Wilson gives a chilling performance as the narrator, laying a veneer of sanity over the madness within. The recording is well produced and available for free in several different formats from the Tell-Tale Weekly website linked above.

Ben-Hur by Lew Wallace

Source: LibriVox (zipped mp3s)
Length: 23 hours, 22 minutes
Reader: Mark F. Smith

The book: Nowadays, Ben-Hur is mostly known as the basis for the Oscar-winning film adaptation starring Charlton Heston in the title role, usually shown in reruns in this week before Easter. In its own time, the novel Ben-Hur: A Tale of the Christ was an unprecedented publishing success, spending years atop the best-seller list and sparking an expanded market for novels.

The novel continues to appeal mainly because of its Count of Monte Cristo-like core story of action, romance and revenge in which the title character, a Jew living under Roman rule, is stripped of all his possessions and sentenced to row in the galleys. The subtitle, A Tale of the Christ, refers to the story of Jesus, which intersects Ben-Hur's life. To modern readers, this religious theme seems tacked onto the beginning and the end, but it was an important reason for the novel's success as Victorians dropped their previous views of the immorality of novels and embraced religious fiction.

Part of the appeal of the book was that Wallace applied the best research of his time to put the story of Jesus into historical context. Of course, having done the research, Wallace feels the need to explain it at great length. These long descriptions, along with a tendency to indulge in religious-philosophical debates in King James English tend to drag down the story. Despite these failings, Ben-Hur is still a good book, though not a great one.

Rating: 7 / 10

The reader: I feel like I'm saying this every few months, but Mark Smith is a solid reader. I'll admit I didn't listen to the entire book; I alternated between reading a few chapters on my phone and listening to some chapters in the car. But when I was reading on my own, it was Mark's voice in my head. He's got a wholesome American accent that he modifies for the different characters, but his voices are not overdone or hammy. The sound quality is perfect and although his pacing is a bit slower than I prefer, that's better than being too fast.

(Entered in the Book Review Wednesday contest at Cym Lowell. Follow the link for reviews of other books by various bloggers)